- THE STORY
In 1969 a white settler forced a violent encounter with the Yuri, an indigenous people who live in voluntary isolation in the Puré river in the Colombian Amazon. A family was taken hostage by the army and detained for months in La Pedrera. Through the intervention of a French journalist and pressures from the international community, Caraballo, the head of the family (named by his captors because he resembled a famous Colombian boxer) managed to free himself and his family and return to the tribe's malouca . The Yuri remain in voluntary isolation to this day.
Victor Gama's 3 thousand Rivers tells the drama of the social and environmental destruction of the Amazon through the lens of people living in the front lines. His first full-length opera was commissioned by the Prince Claus Fund and the Calouste Gulbenkian Foundation.
Yetzabel Arias Fernandez (soprano)
Betty Garcés (soprano)
Waira Nina Jacanamijoy (Inga singer)
Jaime Lopez Kiriyateke (Muruí-Muina singer)
Pedro Ojeda (percussion)
Urian Sarmiento (percussion)
Salomé Pais Matos (toha)
Victor Gama (toha, acrux, dino)
Guest singer: Carla Bernardino/Té Macedo
Composer: Victor Gama
Libretto: Roberto Franco
Conductor: Rui Pinheiro
Stage Director: Otelo Lapa
Costume design: Carla Fernadez
Sow control: Rui Peralta
Lighting: Jeff Dubois
Sound engineers: Paulo Machado/Tiago Jónatas
Recorded with the Orquestra Gulbenkian
Commissioned by: Prince Claus Fund and Calouste Gulbenkian Foundation
Narrates the story of the Tucuruí hydroelectric dam in the Amazonian state of Pará Brazil. The dam flooded and swallowed an entire forest when it was built decades ago but today, many dead trees stand above the water, their bare branches testimony to how, year after year, the lake is gradually drying up.
Idia and Menestho sing about the Global Minotaur - wild capitalism - which in its insatiable search for resources, energy and raw materials, destroys everything in its wake in the rain forests they inhabit.
Based on a short story written by Waira Nina Jacanamijoi, the narrative follows an Auca who is watching over a child who walks through the forest and reaches the Yurayaco River.
She bends over and sees reflections of her ancestors on the surface of the water.
Performed and sung by Waira Nina.
This movement is a homage to Taita Marcelino Chincunque and the work he does with ambiwaska (yagê), which he grows in his garden of medicinal and sacred plants. A ceremony was held for us at Taita Javier Lasso's Malouca at Laguna de La Cocha. While at La Cocha we also followed Father Alvaro Nuñes to his masses in the communities on the banks of the lagoon.
Idyia takes on the role of a multinational company, threatening to evict and even assasinate community leaders who oppose entry into their territory. Finally Menestho, who takes on the role of one of these leaders, enters the scene and confronts the multinational.